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・ Piano Sonata No. 24 (Beethoven)
・ Piano Sonata No. 25 (Beethoven)
・ Piano Sonata No. 26 (Beethoven)
・ Piano Sonata No. 27 (Beethoven)
・ Piano Sonata No. 28 (Beethoven)
・ Piano Sonata No. 29
・ Piano Sonata No. 29 (Beethoven)
・ Piano Sonata No. 29 (Geirr Tveitt)
・ Piano Sonata No. 3
・ Piano Sonata No. 3 (Beethoven)
・ Piano Sonata No. 3 (Brahms)
・ Piano Sonata No. 3 (Chopin)
・ Piano Sonata No. 3 (Mozart)
・ Piano Sonata No. 3 (Prokofiev)
・ Piano Sonata No. 3 (Scriabin)
Piano Sonata No. 30 (Beethoven)
・ Piano Sonata No. 31 (Beethoven)
・ Piano Sonata No. 32 (Beethoven)
・ Piano Sonata No. 4
・ Piano Sonata No. 4 (Beethoven)
・ Piano Sonata No. 4 (Mozart)
・ Piano Sonata No. 4 (Prokofiev)
・ Piano Sonata No. 4 (Scriabin)
・ Piano Sonata No. 5
・ Piano Sonata No. 5 (Beethoven)
・ Piano Sonata No. 5 (Mozart)
・ Piano Sonata No. 5 (Prokofiev)
・ Piano Sonata No. 5 (Scriabin)
・ Piano Sonata No. 6
・ Piano Sonata No. 6 (Beethoven)


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Piano Sonata No. 30 (Beethoven) : ウィキペディア英語版
Piano Sonata No. 30 (Beethoven)
Ludwig van Beethoven's Piano Sonata No. 30 in E major, Op. 109, composed in 1820, is the antepenultimate of his piano sonatas. In it, after the huge ''Hammerklavier'' Sonata, Op. 106, Beethoven returns to a smaller scale and a more intimate character. It is dedicated to Maximiliane Brentano, the daughter of Beethoven's long-standing friend Antonie Brentano, for whom Beethoven had already composed the short Piano Trio in B flat major WoO 39 in 1812. Musically, the work is characterised by a free and original approach to the traditional sonata form. Its focus is the third movement, a set of variations that interpret its theme in a wide variety of individual ways.
== History ==
Work on Op. 109 can be traced back to early in 1820, even before Beethoven's negotiations with Adolf Schlesinger, the publisher of his last three sonatas. Recent research suggests that Friedrich Starke had asked Beethoven for a composition for his piano anthology ''The Vienna Pianoforte School'', and that Beethoven had interrupted work on the ''Missa Solemnis''. In the end, though, he offered Starke numbers 7–11 of the ''Bagatelles, Op. 119''.

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